Microforms (ACEO)
Microforms Tiny dimensional works where MIS is distilled into its smallest, most intimate scale. These pieces carry the same atmospheric logic as the larger paintings — the color negotiations, the quiet surrealism, the internal architecture — but compressed into miniature worlds. Microforms echo the earliest roots of MIS, when the work first emerged on small scraps and note pads, and they preserve that sense of immediacy, intimacy, and origin. Each Microform is a pocket‑sized portal into the same universe.
Microforms — Origins
MIS didn’t begin as a genre.
It began in 1991, on 2×2 office note pads, drawn in the quiet margins of workdays.
Tiny squares. A pen. Small compressed worlds appeared without explanation.
I didn’t name it then.
I didn’t know it was a genre.
But the DNA was already there.
Years later, my aunt — an artist whose eye I trust deeply — looked at those early pieces and said, “This is multidimensional surrealism.” She saw the architecture before I did.
Over time, as my process evolved and I understood how my Dreamforms rise to the surface, I added the word intuitive. It’s the only word that truly describes what happens inside me when these forms emerge — the way they arrive without planning, without sketches, without conscious design. They come through me, not from me.
That is how Multidimensional Intuitive Surrealism was born.
Microforms is my return to that origin point. Not as nostalgia, but as a way to stay rooted in the scale where MIS first breathed. A way to keep my hands close to the ground where the world began, so I can grow even stronger as a MIS artist.
These miniature works — now rendered in acrylics, layered and dimensional — carry the same internal architecture as the larger pieces. They are not “small works.” They are compressed portals, tiny worlds with the full weight of MIS inside them.
Microforms is the room where MIS returns to its seed form. A chamber of beginnings. A place where the world started, and where it continues to deepen.
